So today I bring you guys
my little story with The Dillinger Escape Plan, you see I live in Cordoba,
Argentina, which has a form of popular music that mostly lower class listen to called Cuarteto, and I hate it, it's cross between Salsa or
Merengue with Polka and Tarantella, it's very loud and uses high pitched instruments
like accordions, cheesy keyboards and Wind Sections, literally make your ears hurt. People that listen to the
music tend to listen to it very very very loud, like my new neighbors that had
two teenage kids that would listen to this shit all day, I would knock on their
door three to four times a day pleading with them to lower the volume, they would lower it for half a hour and jack
it up again after that, they were driving me crazy and this went on for three months. And
I most note I'm a metal head I love listing to music loud, but I use headphone
so I don't bother anyone. So one day I had finished working the night shift and
these little shits had the music blasting at 9 in the morning so I flip out,
I'm a bass player and I have a colossal
bass speaker, I connected it to my I pad and I put Dillinger`s Ire Works
complete, things were falling all over the place in my house, I almost
destroyed all off the window in my house, jajajaja. but Neighbors never put
their music on ever again and they moved out a month later, so thank you
Dillinger.
So guys enjoy my review of this bands albums and Side projects, one must note each review is from a individual post from my blog I just them all together in one post:
The Dillinger Escape Plan
Calculating
Infinity (1999)
Genre: Mathcore,
Grindcore, Avant-Garde Metal, Alternative Metal
So this
band is my great discovery of 2015, I had no idea that these guys existed. I had
discovered them after listing to Killer be Killed, a super band that had
Dillinger’s lead singer, Greg Puciato on Guitar and Vocals, so out of curiosity
I sat down to listen to Dillinger’s catalogue and I couldn’t believe how good
it was, so I’m going to start off reviewing their first album Calculating Infinity, so
here we go ( Note Greg isn’t on this album, the lead vocalist is Dimitri
Minakakis):
Vocals and Lyrics: All I can say that Dimitri is very
pist off about something. 8
Instrumentation: The instrumentation is calculated chaos, its probably the best way to describe it. 8
Melody and/or Structure: The stuff is freaking complex
it like King Crimson gone crazy. 12
Sound, Production and Feeling: Pretty
basic just the band and their onslaught to your ears, it sound isn’t as heavy,
it more frantic and voilent. 8
Songs: Short but Sweet, it keeps you wanting more. They
know that if they overstay they will burn out the listener. 11
Originality: This is some elevated and complicated
shit, these guys are really pushing the frontiers of metal. 12
Overall: 59
The
Dillinger Escape Plan
Miss
Machine (2004) Option Paralysis (2010) and One of us is a Killer
Genre: Mathcore and Experimental Metal
Today I'm going to do something similar to what I did with my previous
review that I did for the Deftones, I'm going to talk about three Dillinger
Escape Plan albums in one post, they are their second, fourth and fifth album. And
why did a bunch these albums together?
Well because they sound pretty similar to each other, and
basically Dillinger consolidate their own sound and style, especially in their
super technical musical execution, while experimenting a little on each
project, with subtle effects on Guitar and Bass and production tricks,
basically just enough to keep these albums out of the redundant territories.
The track list on each one are super solid and have two types of songs super heavy
freak out tracks and slower not as heavy experimental tracks.
Now in the case of Miss Machine it's the first album with Greg Puciato as the lead singer, and he
just does a killer job, plus we have
the first time the band experiments with slower tempo experimental songs with a
touch of electronics. And the album has more pedal effects on Guitar and Bass, compared to Calculating Infinity their previous album.
Option Paralysis is probably the heaviest and most aggressive, Greg's
sing has evolved, it has some melodic singing in the mix and there is some masterful
use of piano on this album at moments, being played by the guitarist Ben Weinman.
And Last but not least we have, One of us is a Killer, this is a back to basics album, very meat and potatoes,
songs are strip down but effective and some evolution in guitar techniques.
Add caption |
The Dillinger Escape Plan
Genre: Mathcore, Metal Core, Experimental Metal
Ire Works (2007)
Some intense shit in this Album, with some interesting contrasts with
more mellow alternative metal tracks and some fascinating experimentation with glichy electronics
and production; oh and one song they actually use a horn section which caught
me totally by surprise. So the good thing of this Album is at moments they actually lets your head rest before they slam on "lets
destroy the world apocalypse with our guitars mode", but the strongest
moments on the album is where they dabble with new stuff or let Greg show off
that he's a great melodic singer that can add melody to the songs without
sounding wimpy or trying to sell out for a radio friendly track. Oh and Brent
Hinds from Mastodon is a guest on one of the tracks.
Overall: 63.4
Killer be
Killed (2014)
Genre: Sludge
Metal, Groove Metal
Here we
have the first and only album from the super group Killer be Killed with Greg
Puciato (The Dillinger Escape Plane), Max Cavalera (Soulfly, Cavalera Conspiracy,
ex-Sepultura and ex-Nailbomb), Troy Sanders (Mastodon) and David Elitch (The
Mars Volta and Antemasque). These guys have put out a pretty straight forward but
extremely effective metal album that is highly recommendable for people getting
into the heavier side of the genre.
Vocals and Lyrics: Greg, Max, and Troy really do a
good job together each one taking turns on each track, they play off each other
very well. 10
Instrumentation: Instrumentally the band sounds great, good
chemistry between them it seem as they have been playing for ages with each other. 7.5
Melody and/or Structure: Simple but direct super heavy
songs, with good choruses and Greg and Troy vocally add a good dose of melody to each song. 8
Sound,
Production and Feeling: Album sounds great, the band is just rocking
out and letting a lot off steam, and we the listeners just hitch along
for the ride. 8.5
Songs: Surprisingly good songs for a super band, the album
is super solid from front to back. 11
Originality: This album is a breath of fresh air in
the stagnant world of heavy metal and thanks to it I discovered The Dillinger
Escape Plan that left me in total in shock in how good these guys are the first
time I listen to them. Also Max should reevaluate the crap his doing lately
with Soulfly 10
Overall: 55
Giraffe Tongue Orchestra
Broken Lines (2016)
So finally I got around to
the review this very interesting album that goes in a very different
direction that I thought this super group would go, instead
of being the heaviest most extreme thing ever it dive into alternative rock
with a touch of metal and even having a popish flare at moments, not giving a F,
jajaja, they basically just make engaging music in any of its forms.
Now who are the members of
this super group? First we got Alice in Chains, William DuVall's whose vocal
delivery really surprised me it's very different from what he does in Chains,
he stretches his legs on this album shown off his whole vocal pallet, taking
advantage he's not retrained by the somber mood of Alice's stuff (Note I'm not
fan of Alice in Chains, even though they are a fantastic band they never have been my cup of tea).
Now the guitar work on
this album has been a bit of a letdown I was expecting much more having two technical
interesting players like Ben Weinman from The
Dillinger Escape Plan and Brent Hinds from Mastodon, their playing is
great and enjoyable, but I thought they would work on more complex stuff. What
did surprise me was bass player Pete Griffin from Deathklok his playing is great he makes some good fills
and arrangements. On the Drum we have Thomas Pridgen from Mars Volta, brings
that band intensity and energy when needed. And I must add the band actually
uses a horn section at moments and some keys here and there, adding a lot of
color to the songs they are in, probably scaring the hell out of hard core
metal heads.
The Songs have a basic pop
structure with a couple of surprises, now interesting thing about this band is their use of melody,
I can't put my finger on it, but they try some odd stuff. Also the musical
styles they throw into the mix is pretty eclectic and they mix it up in a way
that they have they own thing going on, it leaves you scratching your head the
first time you listen to it but it grows on you pretty fast.
Even though the band tries
and mixes many musical styles the album is very focused and the track list is
very solid, no fillers on this album, so I really recommend this album or at
least give it a chance to grow on you.
Overall: 55
Overall: 61.1
Dissociation (2016)
Genre: Mathcore, Metalcore
Experimental Metal, Alternative Metal
So it seems that this is
the bands last album, and boy they go out with a bang, they try some
interesting stuff in this production, it seems they didn't want to leave
anything out, but what I liked the most was the two incredible jazz inspired breaks, a full on electronic inspired song that's insane and a Deftones inspired ballad
at the end. Also the stuff that they normally
do which is make insanely complex and violently aggressive metal still sound
fresh and inventive. The album has a couple holy shit moments and it's the best thing to come out in 2016 by
far, so go out and get it, blast it out of your speakers and scare the shit out
of your neighbors.
Overall: 61.1
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